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Nutritional beauty supplements: a factory in the Allier region

Passionate about cosmetics and new trends, Fleur Phelipeau, creator of the D-Lab Nutricosmétics nutritional supplements brand, founded D-Lab in 2019. The company develops and distributes nutritional beauty supplements in the form of programs or individually. 

The D-Lab factory in 2021. "Above all, it's a story of desire. A childhood passion for industry. My eyes were wide open when my father took me to the beverage and bottling plants at Vichy Célestins. I've always found it a fantastic world!says the founder.

A 100% greentech plant Made in France

To take the vision and values dear to the 35-year-old entrepreneur even further, the factory project was born. This 2,600 m2 facility in France is designed to produce food supplements using 100% of Green Tech ingredients chosen for their naturalness and bioavailability. 

And since Vichy and Made in France are part of D-Lab's DNA, the plant is located in the heart of the Naturopôle in St-Bonnet de Rochefort, in the Allier region.

A space dedicated to the production of food supplements

7440 m2 of land and a 2610 m2 building will bring together all the stages in the development of food supplements: from storage to production, including packaging, assembly, laboratories and offices. This represents an investment of 3.5 million euros to create the factory of tomorrow. 

From player to channel

The D-Lab Industry factory is designed to have as little negative impact as possible on the environment. Rainwater harvesting for watering, eco-friendly insulation, solar panels for energy self-sufficiency, optimized transport, zero waste policy... The construction site itself has been awarded the low environmental impact label, for a coherent 100 % approach. With one ambition: to move from player to industry. "We don't just want to produce our own food supplements for ease or cost, we want to produce for players who share the same values as us: clean, natural, local, caring and ethical".emphasizes Fleur Phelipeau.

Christophe de Villeplée appointed President of IFF's Scent Division

IFF, the American group specializing in global fragrance creation, has announced the appointment of Christophe de Villeplée as President of its Scent division, effective September 1, 2021. He becomes a member of the Group Executive Committee and succeeds Nicolas Mirzayantz, who has been appointed President of the Nourish division, replacing Kathy Fortmann.

Christophe de Villeplée (ISG, INSEAD) takes up this new position, based in Paris, after twenty years with IFF, where he held managerial positions in Europe and the USA. For the past two years he has been President, Global Consumer Fragrances.

For the future of the division, he will focus on four major areas: transforming creation; deepening scientific understanding of the emotional benefits of fragrance; accelerating the sustainable development strategy by integrating biotechnologies, thanks to IFF's recent merger with Dupont's Nutrition and Biosciences division, now part of IFF; and the digitalization of fragrance.

IFF's Scent division has sales of two billion dollars, divided between four categories: fine fragrances, beauty care, perfumery ingredients and cosmetics ingredients. IFF's perfumers are responsible for such perfumery classics as Lancôme's La vie est belle, YSL's Paris and Estée Lauder's Aromatics Elixir, as well as more recent successes such as Givenchy's L'Interdit, Paco Rabanne's Phantom and Armani My Way. They are also responsible for fragrances known worldwide for their use in laundry detergents, fabric softeners, shower gels, shampoos and all scented consumer products.

Plutonium from Collection35, finalist of Beautyworld Middle East 2021

The avant-garde brand collection35 faces a new challenge with the fragrance Plutonium by young designer Chana Cynamon. Winner of the Marine 2018 edition, this fragrance is now a Beautyworld Middle East 2021 finalist in the niche fragrance category. Results will be announced on October 5.

An avant-garde brand, revealing the talents of tomorrow

Collection35 is a perfume brand with a singular history. It was born out of the international Corpo 35 Perfume Awards competition, whose aim was to democratize the culture of perfume creation among the general public. Each edition aims to reveal young international perfumers (students, apprentice perfumers, experts or self-taught enthusiasts...), on a proposed theme.

Cécile Vialla, creator of the Berry perfume house, created the Corpo35 Perfume awards and collection35 competition in 2015. Collection35 is thus an olfactory art gallery that launches the rising stars of contemporary perfumery by bottling their first creations.

One theme, five winners, five interpretations

The 35 finalists are offered creation tools such as access to the Isipca laboratory and EcoMundo's regulatory support software, as well as quality raw materials provided by prestigious sponsors. The Marine edition, from which Plutonium emerged, was sponsored by Robertet, the historic house from Grasse, committed to local raw materials since 1850.

In the run-up to the 2019 Rouen Armada, candidates in the 2018 edition were invited to "reinvent the Navy". A classic perfumery scheme, marine notes bring as much freshness as they evoke adventure and freedom. An immense source of inspiration for young perfumers.

Chana Cynamon Prix de l'Audace, a disruptive fragrance 

Inspired by the adventurers of the French Navy, who set off for several years at sea on huge ships to discover unknown lands, Plutonium won the fifth prize of the 2018 edition as well as the Audacity prize. 

Yesterday's adventurers inspired Chana Cynamon. She has imagined the great adventure of tomorrow: the conquest of space. Plutonium opens with an explosion of menthol, like the supersonic wake of a rocket in icy space. The metal spaceship lands on an unknown planet, releasing an aromatic, humid trail that promises a land of life. This is followed by a musky, milky, abstract trail that finally envelops the senses. A presence appears, a skin warmed by a sun different from our own.

An exceptional perfumer

Chana Cynamon, creator of Plutonium, is a perfumer who likes to break with codes and challenge them. Playing with overdoses, novel raw materials and short formulas, her aim is to provoke sensory shocks and heighten emotions. A disruptive spirit cultivated by her curiosity, her openness to the world and her taste for all forms of creativity.

A brand committed to creation and its values

The olfactory art gallery collection35 promotes a perfumery that is both atypical and multicultural. Its aim is to promote perfume culture and industry know-how in France and abroad.

collection35 undertakes social and solidarity-based manufacturing. It supports inclusive growth by working with partners committed to supporting the most vulnerable.

collection35 promotes and democratizes the culture of perfume to the general public in an ethical and responsible way.

The fragrances are all of guaranteed French origin, thanks to partners mainly from Normandy who have worked alongside Cécile Vialla since the beginning of the adventure. 

Coverpla partners with French Biscotos and Musa Paradisiaca

French Biscotos shakes things up with an original collection born of a model family adventure. For the launch of six fragrances with unforgettable names, the brand entrusted the development of the packaging to Coverpla: bottle and cap, pump and pump cover.

Beau bébé, Dur à cuire, Garde du corps, Loup de mer, Loup solitaire, Maître-nageur, the six masculine fragrances take a singular olfactory approach. Going beyond the cliché of the perfect man, they allow themselves a healthy dose of humor and derision. 

For this six-act development, French Biscotos has opted for the French savoir-faire advocated by Coverpla: standard bottles and caps, and a turnkey, personalized quality offering. French Biscotos chose the Parme bottle in 100 ml format for its curved body and thick base. The Gator cap accompanies it in a gunmetal hue. It owes its elegance to an aluminum cap decorated with knurling. Inside, the insert is injected with recycled surlyn.

In the case of Cristian Cavagna's Musa Paradisiaca fragrance, Coverpla followed the brand in its choice of a packaging shape evocative of its name and essence. The challenge was met with a range of standard bottles by Coverpla.

Musa Paradisiaca is the botanical name for the plantain. Its fragrance is the first of seven shades of tuberose, and is part of the "tuberose according to me" line. For this juice, both feminine and masculine, Cristian Cavagna wanted a bottle that evoked both the banana flower and the feminine hip. This is achieved with the Nice vapo (100 ml), elegantly striated to match the Maggiore cap. The brand has added a metallic label whose golden note pays homage to Gustave Klimt.

Coverpla's "mix and match" concept came into its own in this development. The choice of standard models with selected designs was used for an ultra-customized turnkey development.

[podcast] Are speed and quality incompatible?

site-industries-cosmetiques The end of sleepless nights, podcasts

Season 2 of "La fin des nuits blanches" (The end of sleepless nights), the show that helps you in your daily life as a cosmetician, brought to you by Veeva.

The challenge of this new episode is to ask a fundamental question: are speed and quality incompatible? To answer Nicolas Gosse's questions, David Égée will draw on his experience in medical imaging and the cosmetics sector, in particular his 7 years as Quality Director at Parfums Christian Dior.

In other episodes, we look at customer/supplier relations and regulatory constraints...

Listen now on our website or on all your podcast platforms.

Read the magazine for free!

cover Industries Cosmétiques 31

On the occasion of the Luxe Pack trade show, we've decided to offer you our latest issue (September 2021), for those of you who can't make it to the show and carry our magazine in your bag.

In addition to product and market news, expert opinions on cosmetology, technology or regulations, you can discover our "perfumery" section or our focus on the feel-good beauty and our special report on nutricosmetics.

Free access to our latest issue, just click here.

Enjoy your reading!

Henkel, L'Oréal, LVMH, Natura, Unilever: towards a sectoral rating system for the environmental impact of cosmetic products

Henkel, L'Oréal, LVMH, Natura &Co and Unilever announce a unique global collaboration to co-develop an industry-wide rating system for the environmental impact of beauty products. The objective is to develop a system that is common to all companies in the cosmetics sector and that provides consumers with clear, transparent and comparable information using a common scientific methodology. The five companies invite other cosmetics players to join this initiative.

Meeting expectations for transparency

This new rating system aims to meet the growing demand of consumers for transparency regarding the environmental impact of cosmetic products (formula, packaging and use). The objective is to improve the information available to consumers, thus enabling them to make more sustainable consumption choices.

To this end, a consortium will be created and opened to all companies in the sector wishing to collaborate in order to co-create a device allowing consumers to compare cosmetic products within the same category. The aim is for the overall score to inform consumers of the environmental impact of products, taking into account their entire life cycle.

Co-constructing a scientific methodology and a scoring system

It is proposed that the consortium work with the consulting firm Quantis, to ensure a robust and scientific approach, and that efforts to co-construct the methodology and voluntary rating system be guided and articulated around:

1. A common method for measuring environmental impacts throughout the life cycle of products, based on the principles of the Product Environmental Footprint (PEF), the European Union's scientific method for quantifying the environmental footprint of products;

2. A common database on the environmental impacts of standard ingredients and raw materials used in formulations, packaging and during use.

3. A common tool allowing each brand to calculate the environmental impact of each of its products, and usable by non-specialists.

4. A harmonized rating system, e.g. with a score from A to E, that allows the consumer to easily compare products. The methodology, databases and tool of this system will be verified by independent auditors.

Engage all actors in the cosmetics sector

This initiative is open to all players in the cosmetics sector, regardless of their size or resources. A panel of independent experts will also be informed and consulted throughout the process. The companies behind the initiative will share their experience and knowledge in the development of environmental impact assessment systems (such as those designed by Henkel, L'Oréal, LVMH, Natura &Co and Unilever) and environmental and social display systems (such as the one developed by L'Oréal). All companies will benefit from this pre-existing work and are invited to contribute their own experience. The consortium will also consult with external experts, including scientists, academics and NGOs to ensure the continued integrity of their approach. The work developed by the consortium will be made public and accessible, on a strictly voluntary basis, to both consortium members and any other interested parties.

"It is possible in the cosmetics sector, as it has been done in other sectors, to build a scientific system for assessing the environmental impact of products, based on a complete life cycle analysis. The condition is the pooling of knowledge and expertise, particularly concerning environmental impact data; this is the path that the founding members of the consortium are committed to "Philippe Osset, an expert in the application of life cycle assessments to eco-design, is a consultant providing his expertise to the European Commission and Afnor (French Association for Standardization).

Cosmetics Europe has agreed to follow the activities of the consortium as an observer, other professional associations are being contacted to participate.

TNT Global Manufacturing created the Louboutin make-up case

Louboutin entrusted TNT Global Manufacturing with the design of its luxurious, magnetic, refillable makeup case adorned with the iconic Christian Louboutin silver spikes.

TNT Global Manufacturing designs, develops and manufactures high-end metal - zamak, aluminum, brass, stainless steel - and plastic components for the perfume, cosmetics and make-up industries.

Available in black and red, the make-up case also takes up the codes of the brand's iconic sole. A key allows to extract and replace the palette of shades.

Cosfibel presents its multiple materials expertise

The Cosfibel group's aim is to understand and support brands in their innovations, and to provide them with inspiration. For the Luxe Pack trade show, the group has designed a special box featuring nine boxes illustrating its multi-material expertise and creative and technical maturity.

Nine boxes, nine materials

By assembling nine miniatures (10 cm X 10 cm) in a square box (35 cm X 35 cm), Cosfibel presents, in the manner of a kaleidoscope, the nine materials it offers brands for the production of their boxes and cases. Each presents an eco-responsible creation based on a chosen material: card and cardboard, microflute, molded pulp, various species of wood (ash, paulownia), cork, tin, rPET. From the simplest to the most sophisticated, from the most classic to the most innovative, each evokes a specific universe. 

In each creation, a technical data sheet presents the material: origin, certification, recyclability, and other technical information including usage, resistance, life cycle...

How can I make the most of the single-material box?

With the ReBel collection, Cosfibel positions itself as an expert in multiple material solutions. It affirms its commitment to eco-responsibility by focusing on its 4R rule (reduce, reuse, recycle, rethink). The ReBel spirit brings extra creativity and revises the codes of luxury, betting on the monomaterial trend. 

A new handling system for plastic drums

Dalmec presents a new Partner Equo industrial manipulator designed for handling plastic drums and equipped with a gripping tool adapted to metal grippers. This new system has been designed specifically for picking up, lifting and transferring plastic drums, so as to position them above a tank or other drum and allow them to be emptied at the end of the stroke.

Always in search of innovation, and in line with its commitment to the fight against RSI, Dalmec has developed this new equipment by equipping it with a customized gripping tool for picking up drums of different diameters, capable of reversing the load through 180° thanks to a pneumatic device. 

This new equipment is an easy-to-use, column-mounted, self-balancing pneumatic solution designed to meet the handling needs of a wide range of industrial sectors. 

For example, this new drum manipulator can be used to prepare mixtures and pour powders, grains, salts, liquids or other ingredients in the food, chemical, cosmetics and pharmaceutical industries, as well as in the construction industry for the manufacture of building materials. 

In order to facilitate safe and easy handling of drums with loads of up to 400 kg, and in view of the limited ceiling height available in central weighing plants, this manipulator is available in a low-profile version. 

Designed for balancing and compensating heavy loads, this new Partner Equo manipulator has been designed to adapt to the type, dimensions and loads of the drums to be handled, in accordance with the needs of users and their working environment, whether in a workshop with limited space or on a production line, and to do so quickly, precisely and safely, without any effort.

An evolving structure

The Dalmec Partner Equo is a pneumatic manipulator with an articulated arm that balances the weight of the applied load evenly and stably in the absence of effort. 

All movements are obtained by simple manual guidance, which guarantees high precision of movements applied to the load. Its modular structure has been designed to withstand the torsion generated by this type of load. This equipment fits perfectly into cramped working environments, thanks to its evolutionary structure and the infinite possibilities of varying the shapes and dimensions of the terminal arm.

This equipment complies with the requirements of European Machinery Directive 2006/42/EC, and has been subjected to a risk analysis.

Features Partner Equo : 

  • Max. force 550 Kg
  • Max. working radius 4000 mm
  • Vertical travel: 2450 mm 
  • Control: pneumatic

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